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She ceases, her work accomplished. The others in the room grow weak with fear, as they tell themselves that things are growing too dreadful to be borne much longer. When the silence is quite insupportable, poor little Dorothy struggles to the front. "Why?" demands her mistress, somewhat haughtily. "I suppose even the English gentleman, as you call him, can see butter with dying! Show him in at once." And then she sings again, some old-world song of love and chivalry that awakes within one a quick longing for a worthier life. Her sweet voice rings through the room, now glad with triumph, now sad with a "lovely melancholy," as the words and music sway her. Her voice is clear and pure and full of pathos! She seems to follow no rule; an "f" here or a "p" there, on the page before her, she heeds not, but sings only as her heart dictates..
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"Yes, very glad," returns he, hardly knowing what he says. He has gone back again to his first thoughts,—his mother's boudoir, with its old china, and its choice water-colors that line the walls, and its delicate Italian statuettes. In his own home—which is situated about fourteen miles from the Towers, and which is rather out of repair through years of disuse—there are many rooms. He is busy now trying to remember them, and to decide which of them would look best decked out in crimson and gray, or blue and silver: he hardly knows which would suit her best. Perhaps, after all—— "Oh, Mona, will you always love me as you do now?" "Paul Rodney," replies he, very distinctly. To-day—that "liberal worldling," that "gay philosopher"—is here; and last night belongs to us only in so far as it deserves a place in our memory or has forced itself there in spite of our hatred and repugnance..
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